Anyma Completes His Trilogy With Star-Studded “The End of Genesys”

Anyma completes his Genesys saga May 30, 2025, uniting Grimes, Ellie Goulding, Sevdaliza, 070 Shake & more on a boundary-pushing EDM album.

Credit: Kevin Mazur

Written By Techno Airlines

Published May 17, 2025
Reading Time: 2 Minutes

Last Updated: May 17, 2025 (17.05.2025)

Imagine standing under a twilight sky where lasers streak like shooting stars and sub-bass pulses feel closer to a heartbeat than a drum. That’s the atmosphere Anyma channels on “The End of Genesys“, the last chapter in a trilogy that has redefined melodic techno’s emotional ceiling. Announced this week and arriving on May 30, 2025, the LP reads like a festival poster distilled into audio; Grimes, Ellie Goulding, Sevdaliza, 070 Shake, Yeat, and Empire of the Sun’s Luke Steele all converge, each lending a distinct hue to a record built on contrast and cohesion in equal measure.

The story actually began months back when “Hypnotized”, Anyma’s sleek duet with Goulding, slipped into streaming queues and TikTok reels, hinting at a bigger narrative. That breadcrumb trail now makes sense; the single sits third on a 15-song track list that moves from the crystalline opener “Lucente” and the anxious whispers of “Voices in My Head” to the cinematic closer “Angel in the Dark”. Grimes hovers hauntingly over “Taratata”, her vocals sliced into shimmering shards atop a kick that lands like a meteor shower, while Sevdaliza injects noir tension into “Fortuna”, all velvet menace and razor-wire arpeggios. Elsewhere, Yeat spikes “Work” with trap-inflected swagger, and 070 Shake flips “Joke’s On You” into a brooding confessional. It’s a roll call that feels less like name-dropping and more like world-building, each cameo advancing the LP’s central question; what happens when humanity and machine consciousness converge at the dancefloor’s edge?

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Anyma, fresh off a record-breaking “Afterlife presents: The End of Genesys” run at the Las Vegas Sphere — he was the first electronic act ever to headline the 18-K behemoth—tested several of these tracks in 360-degree immersion. Fans reported vertigo-inducing visuals of digital angels fracturing into code, perfectly synced to drops where melodies dissolve into white-hot noise. Those field tests informed the final masters, prompting tweaks to low-end harmonics and mid-range clarity so the album slams on AirPods yet still rattles stadium subs. “Timing is the new hook”, he quipped on Instagram, teasing a deluxe edition stuffed with remixes and unreleased cuts that will “leave a mark”, a clever nod to track ten.

Though the LP caps the Genesys saga conceptually, Anyma’s calendar shows no signs of slowing. He’ll pivot straight into a summer circuit that hops from Tomorrowland’s towering Mainstage to Afterlife’s Balearic sunrise sessions, then eastward to Seoul for World DJ Festival before closing at Paris’ Rock en Seine. Each slot promises fresh production, but the real draw is hearing how “The End of Genesys” mutates in real time — extended breakdowns here, extra acid lines there — because Anyma treats every set like a living laboratory.

For fans of progressive melodies, AI-driven visuals, and collaborations that blur pop accessibility with underground grit, “The End of Genesys” is shaping up to be a landmark release. Pre-saves are live, vinyl is on the way, and if the Sphere shows proved anything, it’s that Anyma knows how to turn anticipation into communal catharsis. When May 30 lands, expect social feeds to explode, club playlists to update, and the Genesys trilogy to find its inevitable, electrifying resolution.