Delusionville 2.0: elrow’s UNVRS Finale
Experience the energy of elrow’s UNVRS finale in Ibiza — a sold-out spectacle that unveiled Delusionville 2.0, blending art, satire, and techno into a surreal closing night. Discover how elrow transformed UNVRS into a world of music, performance, and immersive storytelling that defined Ibiza’s 2025 season.
On October 6th, 2025, elrow closed its debut season at UNVRS Ibiza with Delusionville 2.0, a sold-out finale blending art, satire, and sound.
Last Saturday at UNVRS Ibiza, elrow turned the club into a functioning fever dream — a night where satire met spectacle and the crowd answered in full voice. Rather than a straight event recap, this piece follows three short threads that intersect across the night: the visible (stage), the invisible (operation), and the echo (what it leaves behind).
Delusionville 2.0 was a visual punchline and a parade. Ron English’s POPaganda universe—stitched into the show’s characters, props, and set—made each drop feel like a stunt. Adam Beyer, Cloonee, Paco Osuna and Tini Gessler steered that chaos into a tight musical arc, moments of pure techno clarity were followed by theatrical peaks, giving the audience both dance-floor focus and carnival release.
Behind the curtain, the numbers tell the other half of the story. Forty technicians, ten logistics experts, ten stage managers, 150 performers and some 160 office staff combined to produce what the brand calls a one-of-a-kind operation. Those figures aren’t bureaucracy — they’re the structural bones that let fantasy run without collapsing. Eighteen shows this season, sixteen sold out; those stats map a residency that worked equally as a production challenge and a crowd magnet.
In the aftermath, elrow framed the finale as closing a loop. Juan Arnau Jr. and Cruz Arnau stressed narrative and craft — not just spectacle for spectacle’s sake, but a storyline honed across Saturdays. The result is a residency that read like a serialized performance, repeat attendees saw progression, newcomers met a fully formed world. The book-and-graphic-novel context the Arnau family are building adds another layer, elrow’s output now reads like transmedia, not merely parties.
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Why it matters? This was more than a headline show. It’s proof that large-scale themed programming can be both artistically ambitious and operationally disciplined. UNVRS provided the canvas, elrow supplied the world-building, and together they stamped Ibiza this season with an experiment in immersive club culture that other promoters will study — and try to imitate — for seasons to come.
